- #Otomata sequencer pdf#
- #Otomata sequencer android#
- #Otomata sequencer software#
- #Otomata sequencer code#
#Otomata sequencer pdf#
carnovsky ex For info and pricing please contact: Download Pdf catalog of RGB BLACK wallpapers (12 Mb) Informally, the term is often used to describe a counter-intuitive result. Although considered paradoxes, some of these are based on fallacious reasoning, or incomplete/faulty analysis. This list collects only scenarios that have been called a paradox by at least one source and have their own article. Because of varying definitions of the term paradox, some of the following are not considered to be paradoxes by everyone. The grouping is approximate, as paradoxes may fit into more than one category. So play away, Internets.List of paradoxes This is a list of paradoxes, grouped thematically. But it’s a heck of a lot more fun than genetic engineering … or the plague. Rapid iteration? Quick contagian? Generational evolution? Hmmm… sounds a bit like what’s happening on a larger level as creations like this spread around the Web.
#Otomata sequencer code#
If you can tear yourself away from playing with this wonderful toy, you can get deep into genetic code for musical composition and spectacular SuperCollider creation.
Check out his terrific video on this work, as built in the open source tool SuperCollider. His musical expression is generally procedural by nature, expressed as a set of rules in compositional form. And for that, you can thank “computational sound artist” Batuhan Bozkurt of Istanbul. Great design, embodying musical sense in the structure of the tool itself, makes this a hit. Want further evidence? Look no further than the Facebook page, or better yet, open discussion on Reddit: Flash may not be the best rich tool the Web has ever seen, but it’s only the means to an end – the end being getting things in a connected browser.
#Otomata sequencer software#
App or not, the Web is what makes software successful these days, through YouTube views, blog posts like this one (ahem), and even casual “look what’s on my screen” sharing that results in the exchange of a URL anyone with a browser can run. Otomata running the browser.īut it’s Web sharing that’s already making it powerful – people sending around links, sharing creations, and showing friends. But app or browser window, it doesn’t matter: the Web is what makes new ideas spread. “This should be an app, bro,” says a Facebook commenter.
#Otomata sequencer android#
It runs as a Flash file, which gives pretty much anyone access to it (including the majority of people on the planet who still don’t have either an iOS or Android device). Right now, Otomata is not an app, though iPhone/iPad and Android versions are reportedly in the works. In all the discussion of “apps” versus the Web – a discussion as old as the network itself, having appeared as “cloud computing” and various other forms before – people may be missing the point. I’m late in posting it, but in a way, that’s a good thing – in the time that this sequencer has spread around the Web, it’s spawned a small army of casual musicians producing their own videos and patterns.Īnd that brings me to an observation. Otomata is a simple generative online grid-based sequencer, owing to a number of step sequencers and Toshio Iwai’s Tenori-on, with some beautiful circular visualizations of the resulting sounds. Behold the power of the Web: composition ideas become a tool, a tool becomes a means for even casual users sharing musical sketches, and a browser toy can be a window into a Turkish sound artist breeding musical DNA like some people breed strains of flowers.
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