Each tapestry is approximately 10 feet high and spans a width of approximately 40 feet. They are inspired in part by traditional textile "samplers" that would have been stitched by hand. The suite of three tapestries weaves together the artist's fascination with historic textiles and the natural world. Pae White's "Pomona" is located on the ground floor in the auditorium's pre-function space. Space will now be a purpose-built gallery for new commissions and exhibitions. The building, situated in the heart of the City of London. The works are complemented by an existing work by Ben Langlands & Nikki Bell and a new commission by Isabel Nolan for Bloomberg SPACE. The building designed by Sir Norman Foster is almost entirely sustainable, and filled with Contemporary art treasures commissioned by Michael Bloomberg himself along with two other curator/advisers.Īrtists include Michael Craig-Martin, Olafur Eliasson, Arturo Herrera, Cristina Iglesias, David Tremlett and Pae White who have created site-specific works for Bloomberg's building. I have just returned from an outing to Bloomberg's new European headquarters in London and it certainly doesn't disappoint. These works centered on 17 x 11-inch sheets of paper introduced a graphic component into his textual work.Īrtlyst: Bloomberg Launches Art-worthy New European Headquarters - Pae White: “Pomona”īloomberg Launches Art-worthy New European Headquarters - Pae White: "Pomona The name Selectric given to these works refers to the '80s era IBM electric typewriter that Goldstein used to make them, a machine characterized by its rotating type mechanism, an interchangeable ball which gave one the ability to choose various font and type styles. The Selectric Works, made during a period between 19, are part of Goldstein' practice of writing and making text-based works, following the production of his one-line Aphorisms and the basis of his well-known typographic portfolio, Totems. Jack Goldstein: Meliksetian | Briggs, Los AngelesĪ graduate assistant for John Baldessari's first class in his Post-Studio Artprogram at Cal Arts in the 1970s, Goldstein (1945-2003) became best known as a key figure of the Pictures Generation, a group of artists who came to prominence in the late 1970s and early 1980s, their practice characterized by the embrace of mass media imagery and what critic and curator Douglas Crimp called the "processes of quotation, excerptation, framing and staging." Ich rede zu Dir wie Kinder reden in der Nacht Several residencies at Porzellanmanufaktur Nymphenburg since 2016 now offered Ledgerwood the unique occasion to further pursue her artistic approach in traditional handicraft.Īnn Veronica Janssens: Esther Schipper, BerlinĪnn Veronica Janssens, MuHKA, Antwerp, 1997, Artificial fog, natural light
Furthermore, her works represent a permeable border between fine arts and applied arts.
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Her canvasses and wall paintings captivate viewers with their rhythmized aesthetics that is full of intentional breaks and contains reflections on femininity just as multilayered art historical references. Like almost no other artistic position, American painter Judy Ledgerwood (*1959, Brazil, US, lives in Chicago, US) shows courage for shiny colors and ornaments.
In combination with recent paintings, the artist's exhibition again celebrates color, form and ornament – elements with which she simultaneously knits a dense net of symbolic and art historical references. Häusler Contemporary München proudly presents for the first time ceramics by Judy Ledgerwood that she developed in 2016/17 at Porzellanmanufaktur Nymphenburg. Maximilianstraße 35, Eingang Herzog-Rudolf-Straße Porzellan Manufaktur Nymphenburg | H: 18, Durchmesser: 42 cm Judy Ledgerwood, Celadon Large Bowl with Scored Motif, 2017 | Majolika | Produktion: Judy Ledgerwood: Hausler Contemporary, Munich
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